Prepare to embark on a musical journey with The Ruins of Beverast, a band that has consistently delivered exceptional albums, never failing to impress. Their architect, Alexander von Meilenwald, is a true master, blending devotion to the roots of black metal with a willingness to explore new horizons. From the raw fusion of black metal and doom in their early works like Unlock the Shrine and Rain Upon the Impure, to the melodic and ritualistic masterpieces Foulest Semen of a Sheltered Elite and Blood Vaults, and finally reaching the pinnacle with Exuvia, their discography is a captivating journey. Tempelschlaf continues this legendary path.
Now, here's where it gets personal. I must admit, The Thule Grimoires, their previous release, wasn't my favorite. It's not a reflection on von Meilenwald's talent, but rather a matter of personal taste. The Gothic influences and chord progressions, reminiscent of Type O Negative, were not my cup of tea, but they certainly had their appeal for others, especially the late Akerblogger.
Tempelschlaf echoes The Thule Grimoires in its psychedelic atmosphere and the use of clean baritone vocals, creating a ritualistic madness. However, it takes these elements and refines them, resulting in a more focused and purposeful sound. It's a natural evolution, retaining the signature atmospheric black-doom style with a touch of death metal influence.
The Ruins of Beverast's strength lies in their ability to balance progression and devotion to the genre. Tempelschlaf showcases this perfectly, with seamless transitions between furious blasts, simmering menace, crystalline psychedelia, and climactic solos. It's a winning formula, enhanced by the contrast between the relentless black/doom fury and the serene ritualistic passages.
The opening track, Tempelschlaf, is a standout for its subtle shifts and intensity. It begins with a mammoth foray into doom-infused goth rock, reminiscent of Depeche Mode, but with a unique blackened twist. The lack of harsh vocals and the baritone sermons create a dreary yet captivating atmosphere. It's a perfect introduction, setting the stage for an album that reaches new heights.
While the opener focuses on a dense and psychedelic doom metal approach, the rest of the album maintains its intensity. The Ruins of Beverast excel at this dynamic, moving between simmering and searing moments. Tracks like "Day of the Poacher" showcase a true blackened assault, but the album's back half truly shines. The collision of ideas results in some of the most epic and grandiose movements since Exuvia. The drums pound with might, the guitar tone is both heavy and barbed, and the venomous shrieks combine with otherworldly synth textures to create a massive and awe-inspiring sound.
"Cathedral of Bleeding Statues," "Alpha Fluids," and "The Carrion Cocoon" are prime examples of this, interspersed with moments of furious blackened intensity in "Babel, You Scarlet Queen!" and the calm before the storm in "Last Theatre of the Sea." These tracks truly embody The Ruins of Beverast's unique brand of blackened doom, solidifying their place in the upper echelon of the genre.
Exuvia is a tough act to follow, but Tempelschlaf comes incredibly close. The title track and "Day of the Poacher" are not lacking, but they serve as a foundation for the exceptional pieces that follow. These tracks feature more abrupt tonal shifts, heightened melodies, and a chaotic edge that adds to the overall experience.
Von Meilenwald has once again outdone himself with Tempelschlaf. It's a testament to his dedication to the blackened arts, incorporating elements of The Thule Grimoires' psychedelic goth rock in a more refined manner. The Ruins of Beverast continue to grow, experiment, and excel, solidifying their status as one of the most innovative and consistent bands in the genre.
Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Ván Records
Websites: theruinsofbeverast.bandcamp.com, facebook.com/the.ruins.of.beverast
Release Date: January 9th, 2026
